This is my second venture into the sounds of Yek Koo and I don’t’ think there is any more perfect place to do this than on vinyl, and yeah, I realize I’m big on cassettes but vinyl and Yek Koo just seems like a perfect fit. A lot of this record has the same overall idea of there being static and electric guitar riffs, yet there are also these distant vocals in the background singing or screaming, possibly pleading. Some songs take turns in other noise directions but that seems to be the blueprint.
Through
jazz horns, bass drum beats, electro loops and pots and pans noise, “Love Song
for the dead C” somehow maintains a sense of harmony. In the third song particularly it becomes
quite dreamy, with trippy guitar and vocals.
For this song- and perhaps this song only- I can hear this Yek Koo
record as sounding like a cross between something from Blind Melon and Yoko
Ono, which would be quite a pair to have collaborate if Shannon Hoon was still
alive.
The
songs are looming, they are dinging, banging, building and clanking. They are a lot of verbs that I’m used to
seeing on television shows my two year old would watch, something like Bob the
Builder. But above everything else, the
best way to describe is by simply saying that it is audio poetry. It’s not the Beat movement by any means—it is
something more current and much more engaging.
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