As
a child, I remember attending the circus on at least one occasion. These days, the way that they treat their
animals makes me want to stay away and prevents my son from sharing in that
same experience as I did (Though it was never really life changing or
anything) The one good thing we can
take from the circus though is the music and how everyone kind of knows what
you mean when you say “circus music”.
Perhaps we should just stop all circus performances from happening and
live with only their memories.
“Alienist”
begins with an electro circus kind of vibe, and at the same time it sounds as
if it is taking place underwater. I can
imagine an underwater circus because the typical land animals would just be
replaced by underwater animals—they wouldn’t wear snorkels or anything. The lions could be sharks, the elephants
could be whales and, well, the seals would still be seals. But how to add in that electric quality
without sparks flying is something I’ll leave to your own imagination.
The
songs pick up with a little more 1980’s rhythm and they have drum machine
percussion and beeps. These loops also
bring out the ever so lovely 8bit Morse code sounds that I haven’t really heard
before so I’m going to have to say that’s a new one. (Yes, I’ve heard 8bit and yes I’ve heard
some tones come off like Morse code, but never combined like this)
On
the flip side I hear what I can only describe as glitch ambience. It’s dreamy and there is bass synth drone. I can only equate it all with some kind of
wonderful video game. By the end, the
sounds are being manipulated as if a guitar cable is being plugged into a live
amp. I hear this quite often and feel
it must be made by some other means, but I’m going to dub it “plugging into an
amp-core” just the same.
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