When
it comes to experimental type of noise, Voids seems to find themselves dancing
all over the various aspects of it, never missing a beat or a chance to stand
out while fitting in.
What
begins as tingy synth drone on Side A comes out also as something that isn’t
too much unlike the band Live somehow, but don’t ask me how that reference got
in there. After some bongs we get a
bell drone ala The Undertaker, which is interesting for the burial portion of
the title.
Some
pretty loud noises come out with strings at times, and then there is some
crackling static. There are some beeps
and then siren-like frequencies, so all I can imagine based upon the title is
that this is the sound of the plane not crashing but rather just exploding,
disintegrating in the sky.
Side
B begins more triumphant somehow, perhaps it is the ascension, and then it
turns industrial ala Nine Inch Nails’ “The Day The Whole World Went Away”. There is an acoustic guitar and harmonica
somehow (Don’t ask me) before the strings return after that cowboy vibe.
The
cassette ends with piano and “ahhhh’s” in an uplifting, almost spiritual sort
of way, and if the first side is the plane exploding then the second side would
be that crossover into the afterlife perhaps.
Granted, I may misinterpret many
different artists as having similar experiences in their music, but I hear what
I hear.
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