When I began writing about music, I was in love with Equal Vision Records. They had all of my favorite bands on their roster, and then they added this young upstart in Chiodos who just blew my mind with “All’s Well That Ends Well”. Then they released “Bone Palace Ballet” and took it to a whole new level.
After
that, the other members of the band parted ways with Craig Owens (to put it
nicely) and they seemingly went in different directions. I listened to some of the music Craig Owens
was putting out, as I remember D.R.U.G.S. being rather good, but I never listened
to what was only known as “Chiodos without Craig”.
Those
two albums Chiodos had put out really changed my life, musically and more, and
to this day they are still albums I go to at various moments and just overall
have stood the test of time for me, which is always important.
Regardless
of what has gone on in between, this is what I will consider to be the third
Chiodos album, and it picks up where “Bone Palace Ballet” left off. Somehow, in years to come, this will be
looked back upon and the gap between them will most likely not even be
remembered.
What’s
funny is, when I put this album on for the first time, my two year old son
immediately stopped what he was doing and began dancing along. He is of the generation that will one day
listen to these three Chiodos albums (and hopefully more to come) and not pay
as much attention to the space between them.
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