In
September of 2012, I moved from Texas back to Connecticut after an eight year
run in the Lone Star State. It was a
hard time for me, for a number of reasons I don’t really feel necessary to get
into here, but at the end of 2012 I had listened to two new to me bands that I
knew were going to be staples in my life from that point forward.
Somehow,
despite not liking a number of other bands I was hearing for the first time,
Warpaint became an instant classic, a new favorite and a staple of my life when
I first heard “The Fool”. 2013 was The Year of Music, but I still
carried “The Fool” with me through
that year, recognizing something I should have heard back in 2010 but was
preoccupied with I don’t remember what.
If
I could turn back time (Cher) I would have named The Album of the Year for 2009
“Fantasies” by Metric. Likewise, my Album of the Year for 2010 is
undoubtedly “The Fool”. There was never any thought or concern in my
mind when this came out of, “What if it’s not good?” and I’d like to talk about
that fact for a minute.
When
I was a teenager, I bought CDs blindly.
I would hear one song on the radio or see the video on Mtv and think,
“That’s cool, I bet the rest of their songs are just as good!” It lead to me owning such unfortunate music
choices as that one CD Crash Test Dummies did that everyone knew the song for
and the one later too when he sang in a higher voice.
Many
of the changes that have taken place since 2000 in physical releases of music
really have been formulating since music first became recorded. People
not willing to pay $15 for one song they like for that particular moment and
will most likely be a passing phase alongside ten or eleven other songs that
are not quite up to par is nothing new.
Thinking
of classic albums by bands like The Beatles up to Nirvana, it’s really hard to
believe we ever lived in a time when those albums came out and as soon as we
heard them we thought “Instant classic” and it was true because, well, people
do tend to overuse that word. But I bet
all of those kids who bought “Nevermind” because they liked the video for “Smells
Like Teen Spirit” knew the moment they let the whole album play that it was
going to have a huge impact.
So
really, not only is it a feat to have this be recognizable so quickly, but it
is even harder to simply find an album these days that is just good
song-for-song. And I knew, in my mind,
that this would deliver when I heard it.
And it did.
This
is how music should be. If every album
was like this, music would be the billion dollar industry that it really should
be, where people pay ten dollars for a single song because it’s worth it. Give Warpaint whatever they ask of you. However much they want you to pay for these
tiny pieces of their souls is simply not enough, so relish in the delight that
you are getting such a great deal.
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