This
album starts with beats and screaming synth.
It goes into that level of sound that you would find on an instrumental
hip hop album, so Keyboard Kid comes to mind.
I hear “Gin & Juice” era Snoop Dogg rhythms coming out, alongside
what could possibly be Cake.
Then
the 8bit kicks in. Mario eats the
coins. Mario falls down the holes. And
this stays pretty 8bit for a while, even when it becomes a triumphant sounding
synth. But at one point I hear the
foghorns of the boats on the docks of the bays.
We
shift gears to something like “Lowrider” or The Addams Family, I’m not
sure. Spellcheck doesn’t try to correct
me, but I’m pretty sure “Addams Family” was weird and only had one “d” or
something.
The
sixth song has a nice Stormtrooper march quality to it, and “Dick Ray” has a
really nice rhythm, which is something I never imagined myself typing under any
circumstances. From Knight Rider to the
end on an 8bit piano sound, this album is just a lot of fun and a new twist on
some classic 8bit fused hip hop.
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