It has
been over a year now since a certain artist whom I will not name (But have
contacted and received no response back from) initially stated that labeling
something as having “female vocals” is sexist, while I find it to be
descriptive rather than discriminatory.
I find it odd that I’m coming
back to that notion now because when The Binary Marketing Show’s cassette
opens, the first vocals I hear are those of both a man and a woman singing in
unison.
Hence,
this has both male and female vocals together, which does kind of need to be
distinguished as such, does it not? I’m
just saying- show me a better way to say that and I will, but until then shut
your mouth because you know nothing of writing about music and barely know
music to begin with anyway.
Anyway,
aside from the feelings this brings up with me from that sort of feud I had
once a while back, I do enjoy this music because it is something of a few
similar genres coming together to create a unique sound all its own. What begins with ambience and synth tone
loops can become xylophone trill and even alien-ish.
One way
of describing this which I find to be accurate is as a sort of 8bit version of
Akron/Family. It is what I like to think of when I think of
those folk dirge bands, but with lasers added in. At
times it can be an electro Radiohead and at other times it can bring out Owl
City even musically.
Side B
offers up some instrumental numbers and audio clips, with slowed down horns and
that just makes me think of far too many bands at once but the sound combines
to form something great. It’s like how
all the colors together can form black, but if you think of black in a positive
way because it’s not just green or blue or red—it’s all of those things and so
much more.
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