AUXPAN
is back, this time splitting with a different sort of experimental noise
band. I don’t need to read the linear
notes to know that this is recorded live because I can hear people making
noises in the background, in a cheering/clapping sort of manner.
The
AUXPAN side is full of this rusty guitar loop; only the guitar is electric
where as I usually hear this sort of sound from an acoustic guitar. The crowd really seems receptive and why
shouldn’t they. This is some fine music
by AUXPAN and whether or not it is improvised I do not know, but I didn’t
really look it up because to me it really doesn’t have any actual bearing as to
how good it is.
Oberdada
von Brutal on the other side has a sort of dark noise sound, over which words
are being spoken in a foreign language and I do not want to guess what it
is. I am not up to date on many of my
dialects, though perhaps I should be, but all I really can tell you about what
he’s saying is how he’s saying it: he’s angry.
From there, we turn into an audio loop of a woman moaning during sex
and, well, it just gets uncomfortable but can imagine why this might have been
effective if done live.
I
like AUXPAN, after hearing two halves of tapes of theirs now, and even though I
feel like Oberdada is into a little bit of the shock noise, I still like it and
feel as if there is a place for it because, well, why not.
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