This
was once available as a cassette from Personal Archives, and as I have found
from the split cassette with Underwater Escape from the Black Hole, I am now
going through and listening to all music that I can from I Like You Go Home
because I like this as well. Yes, in
this particular moment in time music has become my gateway drug and I am going
to primarily be reviewing digital releases from artists I have reviewed
otherwise already.
When
this begins, I am reminded of that split with UWEFTBH, as there are static
bursts with screaming and the ever present electric guitar notes come out in an
almost FNL manner. Later on, this does
take a very strong turn toward the post rock and FNL, but it does also have the
power to bring out something like Glassjaw at times as well.
There
are beeps held within the static mess before it sounds like a record scratching
with a decent amount of feedback. It
becomes quiet at times, and then other times it can have this hollow screaming
behind guitar notes that is somewhere between Nine Inch Nails and
Converge.
The
thing about secrets is that that they are not ever known and that is what makes
them as such. Once they come out, they
are no longer secret. This album is
that plane that exists between that which is known and that which is unknown
(But in a secret sense, not in the sense of knowledge) and the struggle to stay
within one of those two planes and not crossover from one to the other.
No comments:
Post a Comment