As “Nocturnes” progresses, I can
really begin to hear the Polly Scattergood.
I might not feel as weird about this sounding like Polly Scattergood had
she not released her sophomore album this year.
Granted, Little Boots may have released “Nocturnes” first (I’m not sure
because I don’t bother with release dates as much, I just know this was
released in 2013), but I also had the new Polly Scattergood album for months
before it was released, so, you know.
Really, with the thoughts of
Ladytron and Polly Scattergood seeping through, I saw this as being a good
listen but needed something to push it over the edge of greatness for me. And finally, the third person brought out in
this music for me was Madonna and that just set me over that edge. If you honestly cannot enjoy the Madonna
vibe on this album then I’m just afraid you cannot be helped musically.
Little Boots does not rip off
Ladytron, Polly Scattergood or Madonna, but rather combines the three enjoyable
and known musical styles to create a style that now belongs to Little
Boots. I’m excited.
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